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FIilmy Lucrecii Martel
Ortiz Cordero, Edgar Josue ; BERGAN, Ronald (advisor) ; BENDOVÁ, Helena (referee)
Tato práce se zabývá dílem režisérky Lucrecie Martelové, představitelky současného argentinského filmu. Její celovečerní filmy analyzuje z hlediska narativního, auralního, vizuálního a tematického. Martelová tvrdí, že při výstavbě svých filmů užívá principu “vrstvení” narativního a emocionálního obsahu a práce zkoumá, co toto tvrzení skutečně znamená. Pomocí těchto elementů charakterizuje jedinečné autorské kvality Martelové. Zvláštní důraz je kladen na gramatiku filmového jazyka, zvuk a obraz, kterých filmařka užívá ke sdělení relevantních informací o dějové linii a k vytvoření smysluplných metafor. Tato práce přispívá k relativně malému množství anglicky psané literatury o Lucrecii Martelové.
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Elements Of The Road Movie Genre Focusing On The Theme Of Family In Contemporary Cinematography
Honzková, Aneta ; DUFEK, Jiří (advisor) ; MRAVCOVÁ, Marie (referee)
In the bachelor thesis I am focusing on the modifications and use of the road movie genre focusing on the theme of family.
Road Movies have variety of forms, but they all have one exact rule - moving from point A to point Z. What is going to happen on the road, that is unknown. I will try to demonstrate - on the examples of contemporary road movie - how our generation is losing conslusions, dreams and goals. What do we want, when do we want, why do we want? What are we searching for. Our generation is led to reach the most in the minimum of time. The most as fast as possible.
It only leads to the rebelion, we are becoming the same anti-heroes as we know from the road movies. And we are getting on the road, searching for that "something" that will give us the meaning of our lives.
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Experimental film in Buenos Aires since 2001
Moralesová, Alexandra ; POSPISZYL, Tomáš (advisor) ; ČENĚK, David (referee)
Experiment in any art discipline attracts attention and is associated with the beginnings, immaturity, and experiencing the new. If in the 21st century an experimental tendency is emerging in film, a medium and discipline considered to be exhausted and in decline, it is unsettling.
In Argentine film, experiment is first mentioned in connection with the non-conformist art scene of the late 1960s and early 1970s. Filmmakers Narcisa Hirsch and Claudio Caldini are representatives of that decade; they are also witnesses who connect this "first" era with the first and second decade of the 21st century, since they are, once again, among contemporary Argentine artists who turn to film as the medium for experiment.
Whether or not it is possible to talk about a tradition of experimental film in Argentina is not as substantial as (acknowledging) the conditions which accompanied its rise in the two periods mentioned. The 1970s were a period marked by the regime of military dictatorship. The year 2001 represents a turning point in which economic, political and social crisis erupted. In both instances, the circumstances wholly pervaded the life of the society and its art and can be seen as critical. Whether crisis creates the potential for experiment is an open question underlaying reflections on the contemporary possibilities of experimental film and art
in general.
The present work aims to compare the wider social and cultural conditions and creative and production strategies of filmmakers in the 1970s with the conditions and strategies of the filmmakers working after 2001 in Buenos Aires. Furthermore, with regard to the expansion of the audiovisual scene and its transformation into the field of arts of the moving image, it proposes to look at contemporary experimental film in Argentina through the practices of authors from different fields of art such as Claudio Caldini, Pablo Mazzolo and Andrés Denegri.
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Ways to Deads
Námerová, Barbora ; VALAK, Radim (advisor) ; VAJCHR, Marek (referee)
This work tries to show the status of a major Argentine film director Lisandro Alonso in the context of Argentine and world cinema and reflect on narrative questions of his work. Based on the analysis of the film "Los Muertos" this work tries to keep track of procedures the director is working with while building up the drama in his films. The analysis focuses on viewer's experience of drama and the individual elements of film language creating this experience.
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